"Complicating is easy, it is difficult to simplify. To complicate just add, anything you want: colors, shapes, actions, decorations, characters, environments full of things.
Anyone can complicate. Few are able to simplify. Simplification is the sign of intelligence, an ancient Chinese proverb says that one can not say a few words you can not even say it in many "
Art can sometimes be the ability to continue to look with curiosity of a child shapes and objects, constantly search for understanding how they work and how they were created. This is the research and the vitality that has always accompanied Bruno Munari , bringing irony to the formal research and news. For Bruno Munari
art should be prevented from reproducing reality. The polar opposite of a functional design Munari built its reputation thanks to his useless objects, its design dedicated exclusively to the balance of geometric lines and colors.
art should be prevented from reproducing reality. The polar opposite of a functional design Munari built its reputation thanks to his useless objects, its design dedicated exclusively to the balance of geometric lines and colors.
Just think about talking to his collection of forks, emblematic of the function of his art.
These brackets are stainless steel "Bent" expressiveness at the expense of their usability. A historical collection, which remains unique in its originality. Talking Forks could be the poster art of "useless" or better for the contemplation of the aesthetic function.
These variations on the fork, the fork rather as "extension" of the hand and, ultimately, like hand, were designed by Bruno Munari no practical purpose, only to play fantasy on a theme apparently but on the dry floor of a typically European structural problem for the foundation of a language that guarantees the recovery.
These brackets are stainless steel "Bent" expressiveness at the expense of their usability. A historical collection, which remains unique in its originality. Talking Forks could be the poster art of "useless" or better for the contemplation of the aesthetic function.
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